JOSEPH VISCOMI
509 North Street
email: jsviscom@email.unc.edu
EDUCATION:
1980 Ph.D.
English and Comparative Literature, Columbia University
major: Romantic Movement in
Literature and Art
minors: Modern Drama;
Descriptive Bibliography
Dissertation: The Workshop of William Blake
1974 M.A. English and Comparative Literature,
Columbia University
Thesis: "The Image of
the Artist in Byron's Manfred"
1973 Ph.B.
Humanities, Monteith College, Wayne St. University
1972 Paris,
France: Independent Study in
French and Modern Art
1971, 1970 Interlochen
Arts Academy, Interlochen, Michigan (June-Aug)
PROFESSIONAL EXPERIENCE:
2000- James G. Kenan Distinguished Professor of English Literature, UNC at Chapel Hill
1993-99 L.
M. Slifkin Professor of Literature, UNC, Chapel Hill
1990-94 Associate
Professor, English, University of North Carolina at Chapel Hill
1984-90 Assistant
Professor, English, University of North Carolina at Chapel Hill
1983-84 Visiting
Assistant Professor, English, Art History, Theater Arts, Cornell University
1981-83 Mellon
Fellow in the Humanities, English, Art History, Cornell University
1981-83 Technical
Consultant, Manchester Etching Workshop
1982-84 Technical
Consultant, Department of Prints, Johnson Museum, Ithaca, N.Y.
1982-83 Guest
Curator, Department of Rare Books, Olin Library, Cornell University
1982-83 Guest
Curator, Department of Prints and Drawings, Johnson Museum, Ithaca, N.Y.
1980-81 Assistant
Professor, English and Humanities, Virginia Polytechnic Institute and
State University
1980 Instructor,
Department of English, Columbia University
1977-79 Preceptor,
Department of English, General Studies, Columbia University
1976-77 Curator,
Theater Exhibition, Museum of the City of N.Y. and 5 other museums
1975-76 Curatorial
Assistant, Toy Collection, Museum of the City of New York
1974-76 Adjunct
Lecturer, English, Kingsborough Community College, Brooklyn
1974-75 Curatorial/Research
Asst., Dept. of Paintings, Prints, and Photographs, Museum
of the City of New York
1973-74 Instructor,
Education Department, Museum of the City of New York
FELLOWSHIPS AND HONORS:
2007 UNC Research Fellowship
2007 Scholar-in-Residence, Rockefeller Study Center, Bellagio, Italy
2006-07 National Humanities Center Fellowship
2006 Knowledge Trust Exploration Award
2005 MLA Committee for Scholarly Editions, An Approved Edition, Blake Archive
2003 MLA Prize for Distinguished Scholarly Edition, for the Blake Archive
2001 Fellowship in the Humanities, Institute for the Arts and Humanities, UNC
2000 James G. Kenan Distinguished Professor of English Literature, UNC at Chapel Hill
2000-03 NEH Preservation and Access Grant for the William Blake Archive
1993-99 L. M. Slifkin Distinguished Term Professor of Literature, UNC, Chapel Hill
1999 UNC-IBM Curriculum Innovation Grant, for Study Guide to the Blake Archive
1998 UNC Chancellor's Information Technology Grant, for Blake Archive
1997 UNC Chancellor's Information Technology Grant, for Media Lab
1997-98 Mellon
Centre for British Art Grant for the William Blake Archive
1995-98 Getty
Grant Program for the William Blake Archive
1996 Sun
Microsystems Equipment Grant for the William Blake Archive
1996-98 Networked
Associate Fellow, Institute for Advanced Technology in the Humanities,
UVa
1995-96 Fellow-in-Residence,
Institute for Advanced Technology in the Humanities, UVa
1995 UNC
Research Fellowship
1992 Scholar-in-Residence,
Rockefeller Study Center, Bellagio, Italy
1992 Getty
Grant Program for Publication of Blake and the Idea of the Book
1992 UNC
College Endowment Committee Grant for Publication
1991-92 John
Simon Guggenheim Memorial Fellowship
1990 UNC
Research Fellowship
1990 Southern
Region Educational Board Travel Grant
1990 UNC
Research Council Grant
1989 UNC
College Endowment Committee Grant for Publication (two)
1988 Lurcy
Fellowship in the Humanities, Institute for the Arts and Humanities, UNC
1988 Summer
Fellowship in the Institute for the Arts and Humanities, UNC
1987 Fellow-in-Residence,
Huntington Library and Art Gallery
1987 Fellow-in-Residence,
Yale Center for British Art
1987 UNC
Faculty Development Grant
1985-86 NEH
Fellowship for Independent Study and Research
1985-86 UNC
Research Council Grant
1983-84 Council
for Creative and Performing Arts Grant, Cornell University
1982-83 Council
for Creative and Performing Arts Grant, Cornell University
1981-83 Mellon
Fellowship in the Humanities, Cornell University
1981 NEH
Summer Fellowship
1981 Virginia
Polytechnic Institute and State University Summer Grant
1981 American
Philosophical Society Grant
1979-80 Whiting
Fellowship in the Humanities, Columbia University
1977; 1980 Ph.D.
qualifying examinations and dissertation passed with distinction
1976-77 NEH
Youth Grant
1970-73 Academic
Scholarship to Monteith College, Wayne State University
1968, 69, 70 Painting
honors in Detroit and Michigan competitions
1969, 70 Forensic
honors in original oratory in Detroit and Michigan competition
MEMBERSHIPS:
American Society for
Eighteenth-Century Studies
Association for Documentary Editing
International Society for Textual Studies and Scholarship
Modern Language Association
North American Society for the Study of Romanticism
Wordsworth-Coleridge Association
BOOKS:
Blake and
the Idea of the Book, Volume I: The
Production, Editing, and Dating of Illuminated Books (424 pages + 325
illustrations). Princeton
University Press, 1993. One of CHOICE's Outstanding Academic Books of 1994.
Co-editor,
with Morris Eaves and Robert Essick, William Blake's Illuminated Books, volume 3: All Religions are One, There is No Natural Religion, The Book of Thel, Visions of the Daughters of Albion, and The Marriage of Heaven and Hell. The William Blake Trust, in conjunction with the
Tate Gallery and Princeton Univ. Press, 1993. Paperback edition, 1998.
Co-editor,
with Robert Essick, William Blake's Illuminated Books, volume 5: Milton a Poem, The Ghost of Abel, On Homers Poetry [&]On Virgil, and The Laocoön. The William Blake Trust, in conjunction with the Tate Gallery and
Princeton Univ. Press, 1993. Paperback edition, 1998.
Volumes 3
and 5, part of a six volume series, consist of newly edited texts, textual
notes, facsimile reproductions, and variants. The introductions to each book
consist of detailed commentaries on the book's production history, context,
major themes, designs, and variants. Volume 3 also includes a general
introduction on Blake's printing techniques.
CATALOGUES AND MONOGRAPHS:
The Art
of William Blake's Illuminated Prints,
Manchester Etching Workshop, 1983 (26 p).
Accompanies the M.E.W. facsimile and monochrome editions of the Songs
of Innocence and of Experience and
issued separately in 1984 in a limited numbered edition.
Blake at
Cornell: Checklist of Original and
Reproductive Engravings. Cornell University Libraries
Publications, 1984 (36 p).
Prints by
Blake and His Followers, Herbert F.
Johnson Museum of Art Publications, 1983 (36 p).
William
Blake, Illustrator and Poet, Olin
Graduate Library, Cornell University, Cornell University Libraries Publications,
1983 (22 p).
The
Juvenile Drama: Playing with the
Toy Theater, N.Y.: Mava Press, 1977
(100 p). Includes essay on the
conditions and development of the English Theater, 1800-50.
WORLD WIDE WEB:
The William Blake Archive <http://www.blakearchive.org >. Co-editor/creator with Robert Essick and Morris Eaves of a hypertext of Blake's poetry and art, based on approximately 5500 images (2/3rds from the illuminated books and 1/3rd from Blake's paintings, drawings, and engravings) transferred to digital form. Conceived and designed in 1993-95, and a free site on the World Wide Web since 1996, the Archive is an international public resource that provides unified access to major works of visual and literary art that are highly disparate, widely dispersed, and often severely restricted as a result of their value, rarity, and extreme fragility. As of this writing, the Archive contains fully searchable and scalable electronic editions of 52 copies of Blake's 19 illuminated works in the context of full, up-to-date bibliographic information about each image, scrupulous "diplomatic" transcriptions of all texts, detailed descriptions of all images, and extensive bibliographies. It also contains general bibliographies, collection lists, a searchable new electronic version of David V. Erdman's Complete Poetry and Prose of William Blake (the standard printed edition for reference), an illustrated biography and essay on illuminated printing, chronology, glossary of terms, and a PreView wing in which many hundreds of prints, paintings, and drawings are available for study without being fully searchable.
About the Archive: "Editorial Principles," "The Archive at a Glance," "Plan of the Archive" (with Morris Eaves and Robert Essick) http://www.blakearchive.org/public/about/index.html. (1999; revised and expanded, 2003)
Updates on the William Blake Archive (November 1996-April 2005) http://www.blakearchive.org/public/update.html
About Blake: "An Illustrated Blake Biography" and "Chronology" (with Denise Vultee, Morris Eaves, and Robert Essick, includes 109 reproductions that exemplify the range of his artistic accomplishment) http://www.blakearchive.org/about-blake.html (2003)
The Study Guide to the William Blake Archive <http://sites.unc.edu/~tb/fall99/index.html> (1999-2000), created with Denise Vultee, includes bibliographies, study and essay questions, introductions. (Currently off line)
William Blake and Hypertext Resource Page <http://www.unc.edu/~jsviscom/372 > (1997). Select Bibliography on Hypertext, its theory, history, and practice.
Jerusalem, copy E, an Introduction and Hypermedia Edition of plates 15, 35, 53, and 94, prepared by graduate students at the University of North Carolina (Chapel Hill) under the direction of Joseph Viscomi <http://sites.unc.edu/blake/jerusalem.html > [username: blake; password: enitharmon] (1997).
An Island in the Moon, Web-video of theatrical production, Cornell University, 1983, with introduction and illustrated text; music by Margaret LaFrance < http://www.ibiblio.org/jsviscom/island/ >(2003)
30 Collected Essays on William Blake and his Times http://sites.unc.edu/viscomi/frontend_page.html (2004)
ELECTRONIC EDITIONS, co-edited with Morris Eaves and Robert
Essick:
William Blake, The Book of Thel copies F, H, and O.
The William Blake Archive <http://www.blakearchive.org>. November 1996.
William Blake, Visions of the Daughters of Albion copies C and J.
The William Blake Archive <http://www.blakearchive.org>. November 1996.
William Blake, The Marriage of Heaven and Hell copy D.
The William Blake Archive <http://www.blakearchive.org>. February 1998.
William Blake, Songs of Innocence and of Experience copy Z.
The William Blake Archive <http://www.blakearchive.org>. February 1998.
William Blake, America, a Prophecy copy E.
The William Blake Archive <http://www.blakearchive.org>. February 1998.
William Blake, Europe, a Prophecy copy B.
The William Blake Archive <http://www.blakearchive.org>. February 1998.
William Blake, The Book of Urizen copy G.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, America, a Prophecy copy A.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, Europe, a Prophecy copy E.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, Song of Los copy B.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, The Book of Ahania copy A.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, The Book of Los copy A.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, Visions of the Daughters of Albion copy A.
The William Blake Archive <http://www.blakearchive.org>. April 1998.
William Blake, All Religions are One copy A.
The William Blake Archive <http://www.blakearchive.org>. June 1998.
William Blake, There is No Natural Religion copies C, G, and L.
The William Blake Archive <http://www.blakearchive.org>. June 1998
William Blake, Milton: a Poem copy C.
The William Blake Archive <http://www.blakearchive.org>. August 1998.
William Blake, The Ghost of Abel copy A.
The William Blake Archive <http://www.blakearchive.org>. October 1998.
William Blake, On Homers Poetry [and] On Virgil copies A and F.
The William Blake Archive <http://www.blakearchive.org>. October 1998.
William Blake, Laocoon copy B.
The William Blake Archive <http://www.blakearchive.org>. October 1998.
William Blake, Songs of Innocence and of Experience copies C, F, and L.
The William Blake Archive <http://www.blakearchive.org>. March 1999.
William Blake, The Marriage of Heaven and Hell copies C, and F.
The William Blake Archive <http://www.blakearchive.org>. April 1999.
William Blake, Gates of Paradise: For the Sexes copy D.
The William Blake Archive <http://www.blakearchive.org>. June 1999.
William Blake, Gates of Paradise: For Children copy D.
The William Blake Archive <http://www.blakearchive.org>. June 1999.
William Blake, Songs of Innocence copies B and U.
The William Blake Archive <http://www.blakearchive.org>. August 1999.
William Blake, The Book of Thel copy J.
The William Blake Archive <http://www.blakearchive.org>. September 1999.
William Blake, Visions of the Daughters of Albion copy G.
The William Blake Archive <http://www.blakearchive.org>. September 1999.
William Blake, Songs of Innocence and of Experience copies R and AA.
The William Blake Archive <http://www.blakearchive.org>. December 1999.
William Blake. The Marriage of Heaven and Hell copies H and I.
The William Blake Archive <http://www.blakearchive.org>. April 2000.
William Blake. America a Prophecy copy O.
The William Blake Archive <http://www.blakearchive.org>. March 2001
William Blake. Europe a Prophecy copy K.
The William Blake Archive <http://www.blakearchive.org>. March 2001
William Blake. The Marriage of Heaven and Hell copy G.
The William Blake Archive <http://www.blakearchive.org>. October 2001
William Blake. Visions of the Daughters of Albion copy P.
The William Blake Archive <http://www.blakearchive.org>. October 2001
William Blake. The Book of Job watercolors, Butts copy.
The William Blake Archive <http://www.blakearchive.org>. February 2002
William Blake. L'Allegro and Il Penseroso watercolors and manuscripts.
The William Blake Archive <http://www.blakearchive.org>. June 2002
William Blake. The Book of Urizen copy A.
The William Blake Archive <http://www.blakearchive.org>. September 2002
William Blake. The Book of Urizen copy C.
The William Blake Archive <http://www.blakearchive.org>. September 2002
William Blake. The Book of Urizen copy F.
The William Blake Archive <http://www.blakearchive.org>. September 2002
William Blake. Illustrations of the Book of Job [engravings].
The William Blake Archive <http://www.blakearchive.org>. December 2002
William Blake. Jerusalem, the Emanation of the Giant Albion copy E.
The William Blake Archive <http://www.blakearchive.org>. March 2003
Biography of Blake, with Denise Vultee, Morris Eaves, Robert Essick.
The William Blake Archive <http://www.blakearchive.org>. September 2003
William Blake. The Book of Urizen copy B.
The William Blake Archive <http://www.blakearchive.org>. October 2003
Blake's illustrations to Robert Blair's The Grave, separate plate of Deaths Door.
The William Blake Archive <http://www.blakearchive.org>. November 2003
Blake's illustrations to Milton's "On the Morning of Christ's Nativity" and Paradise Regained.
The William Blake Archive <http://www.blakearchive.org>. December 2003
"Illuminated Printing," with 95 illustrations
The William Blake Archive <http://www.blakearchive.org>. February 2004
William Blake. America a Prophecy copy M.
The William Blake Archive <http://www.blakearchive.org>. March 2004
William Blake. Europe a Prophecy copy H.
The William Blake Archive <http://www.blakearchive.org>. April 2004
William Blake. Visions of the Daughters of Albion copies a and A.
The William Blake Archive <http://www.blakearchive.org>. June 2004
William Blake. 24 Color Print Drawings
The William Blake Archive <http://www.blakearchive.org>. November 2004
Blake's 102 watercolor and 7 engraved illustrations to Dante's Divine Comedy
The William Blake Archive <http://www.blakearchive.org>. January 2005
Blake's 116 water color illustrations to Thomas Gray's Poems.
The William Blake Archive <http://www.blakearchive.org>. April 2005
Redesigned and expanded Bibliographies for the study of Blake and Collection Lists of contributors to the Archive.
The William Blake Archive <http://www.blakearchive.org>. July 2005
WBA 2006, our first XML-based Archive, involving essential upgrades in technology and shift to open source software
The William Blake Archive <http://www.blakearchive.org>. May 2006
William Blake. Songs of Innocence and of Experience copies V and Y.
The William Blake Archive <http://www.blakearchive.org>. June 2006
William Blake. "The Order of the Songs" Manuscript
The William Blake Archive <http://www.blakearchive.org>. June 2006
William Blake. The Book of Job watercolors, Linnell copy.
The William Blake Archive <http://www.blakearchive.org>. September 2006
William Blake. Sketches for The Book of Job.
The William Blake Archive <http://www.blakearchive.org>. September 2006
William Blake. The Book of Urizen. Copy D
The William Blake Archive <http://www.blakearchive.org>. October 2006
forthcoming:
illuminated books: The Book of Thel copies C and G, The Marriage of Heaven and Hell copies K, Song of Liberty copies L and M, Songs of Innocence copies D, G, and I, Songs of Innocence and of Experience, copies A, B, E, K, O, N, and T, Visions of the Daughters of Albion copies B, E, I, and O, Milton: a Poem copies A, B, and D, America, a Prophecy copies B, F, H, and I, Europe, a Prophecy copies A, D, and L, Song of Los copies C, E, and F, Jerusalem: the Emanation of the Giant Albion copies A, F, and I.
non-illuminated works: the Four Zoas, Tiriel, Notebook, Pickering Manuscript, Descriptive Catalogue, Poetical Sketches, Annotations to Lavater's Aphorisms, engravings, sketches, and watercolors to Chaucer's Canterbury Pilgrims, The Book of Job (Linnell copy), Paradise Lost, Comus, Nativity Ode, Young's Night Thoughts (537), all commercial engravings, book illustrations, and original separate prints and prints in series, and all drawings and sketches from the British Museum, National Gallery of Art, Washington, D.C. Victoria and Albert Museum, Fogg Museum, Tate Britain, Yale Center for British Art, Fitzwilliam Museum, National Gallery of Victoria, Morgan Library, and Huntington Library and Art Gallery.
ARTICLES:
"Blake's 'Annus Mirabilis': the
Productions of 1795." Blake/An Illustrated Quarterly (forthcoming Summer 2007).
"Wordsworth's Dramatic
Anti-Picturesque: Burke, Gilpin, and 'Lines Left Upon a Seat in a Yew Tree'." Wordsworth Circle (Spring 2007), special issue in honor of Karl Kroeber. Eds. Steven Jones and Toby Benis.
"The Art of
William Blake's Illuminated Prints," Manchester Etching Workshop, abridged,
reprinted in Blake's Poetry and Designs, Norton Critical Edition, second edition, revised, NY: Norton and
Company, 2007.
"Blake
After Blake: A Nation Discovers Genius." Blake, Nation,
Empire. Eds. Steve Clark and David Worrall. London: Palgrave 2006. 239-262.
"Illuminated Printing in Context," expanded version
of the text in Cambridge Companion to William Blake (ed. Morris
Eaves. Cambridge University Press, 2002. 37-62); with 95 illustrations and
detailed captions on various 18th-century modes of reproduction.
<http://www.blakearchive.org/about-blake.html> (February
2004).
"Blake's Method of Color Printing: Some Responses and
Further Observations" (with Robert Essick). Blake/An Illustrated Quarterly (Fall 2002):
49-64 + 24 illus. Online version, with color illustrations, at the Quarterly's webstite: <www.blakequarterly.org >.
"'Once
Only Imagined': An Interview with Morris Eaves, Robert N. Essick, and Joseph
Viscomi on the Past, Present, and Future of Blake Studies." Conducted by Kari
Kraus. Studies in Romanticism 41 (Summer 2002): 143-99.
"'Once Only Imagined': An Interview with Morris
Eaves, Robert N. Essick, and Joseph Viscomi on the Past, Present, and Future of
Blake Studies." Conducted by Kari Kraus. Online version at Romantic Circles <http://www.rc.umd.edu/indexjava.html>
(2002)
"Illuminated Printing." Cambridge Companion to William
Blake. Ed. Morris Eaves. Cambridge University Press, 2002. 37-62.
"The
William Blake Archive: The Medium When the Millennium is the Message" (with
Morris Eaves and Robert Essick). Romanticism and Millenarianism. Ed. Timothy Fulford. London: Palgrave,
2002. 219-33.
"Digital
Facsimiles: Reading the William Blake Archive," Computers in the Humanities 36.1 (February
2002). 27-48 + 17 illus. Refereed article.
"An
Inquiry into William Blake's Method of Color Printing" (with Robert Essick). Blake/An
Illustrated Quarterly (Winter 2001/02): 73-102 + 50 illus. Refereed article.
Online version, with 81 color illustrations, at the Quarterly's webstite: <www.blakequarterly.org >.
"The Persistence of Vision: Images and Imaging at
the William Blake Archive" (with Morris Eaves, Robert Essick, and Matthew
Kirschenbaum). RLG DigiNews 4.1 (February 2000)
<http://www.rlg.org/preserv/diginews/diginews 4-1.html>
"Standards, Methods, Objectives of
the William Blake Archive: A Response to Mary Lynn Johnson, Andrew Cooper, and
Michael Simpson" (with Morris Eaves, Robert Essick, and Matthew Kirschenbaum). The
Wordsworth Circle (Summer 1999):
135-144.
"In the
Caves of Heaven and Hell: Swedenborg and Printmaking in Blake's Marriage" [Part III of The Evolution of William Blake's The
Marriage of Heaven and Hell], in Blake
in the Nineties. Eds. Steven Clark and David
Worrall. London: Macmillan, 1999. 27-60.
"Lessons
of Swedenborg: or, the Origin of Blake's The Marriage of Heaven and Hell" [Part II. of The Evolution of William Blake's The
Marriage of Heaven and Hell], in Lessons
of Romanticism. Eds. Robert Gleckner and Thomas
Pfau. Durham, N.C.: Duke University
Press, 1998. 173-212.
"The
Evolution of William Blake's The Marriage of Heaven and Hell" [Part I].
Huntington Library
Quarterly 58.3&4 (1996): 281-344.
"Blake's
Death" (with Dr. Lane Robson, MD), Blake/An Illustrated Quarterly (Fall, 1996): 36-49 + 12 illus. Refereed article.
"A
'Green House' for Butts? New Information about Thomas Butts, His Residences,
and Family." Blake/An
Illustrated Quarterly (Summer, 1996): 4-21 + 7 illus. Refereed article.
"Blake
in the Marketplace 1852: Thomas Butts, Jr. and Other Unknown Nineteenth-century
Blake Collectors." Blake/An
Illustrated Quarterly (Fall, 1995):
40-69 + 8 illus. Refereed article.
"William
Blake's 'The Phoenix / to Mrs. Butts' Redux." Blake/An Illustrated Quarterly 29 (Summer, 1995): 12-15 + 2 illus. Refereed article.
"A
Breach in a City, the Morning After the Battle: Lost or Found?" Blake/An Illustrated Quarterly (Fall, 1994): 44-59 + 14 illus. Refereed article.
"William
Blake, Illuminated Books, and the Concept of Difference," in Essays on
Romanticism. Ed. Karl Kroeber and
Gene Ruoff. New Brunswick: Rutgers University Press, 1993. 63-87.
"The
Myth of Commissioned Illuminated Books:
George Romney, Isaac D'Israeli, and `ONE HUNDRED AND SIXTY designs . . .
of Blake's'." Blake/An
Illustrated Quarterly 23 (Autumn,
1989): 48-74 + 14 illus. Refereed article.
"Reading,
Drawing, Seeing Illuminated Books," in Approaches to Teaching William
Blake's Songs of Innocence and of Experience. Ed. R. Gleckner and M.
Greenberg. New York: MLA, 1989. 67‑73. Refereed
article.
"Recreating
Blake: the M.E.W. Blake Facsimiles."
Blake/An Illustrated Quarterly
19 (Summer, 1985): 4-23 + 12 illus.
Refereed article.
"Forgery
or Facsimile? An Examination of America copy B, plates 4 and 9," Blake/An Illustrated Quarterly 16 (Spring, 1983): 217-223 + 4 illus. Refereed article.
"Blake's
Workshop," Studies in Romanticism 21 (Fall, 1982):
404-409. Refereed article.
REVIEWS:
Morris
Eaves, The Counter-Arts Conspiracy: Art and Industry in the Age of Blake. The Wordsworth Circle (Fall 1993): 205-210. (Review-essay).
Raymond
Lister, Samuel Palmer: His Life
and Art. Studies in Romanticism 30 (Summer 1991):
298-305.
Robert N.
Essick, The Separate Plates of William Blake, A Catalogue. The
Wordsworth Circle (Fall, 1988): 212-218. (Review-essay).
Martin
Meisel, Realizations:
Narrative, Pictorial, and Theatrical Arts in 19th c. England. Studies
in Romanticism 25 (Winter, 1986):
561-567. (Review-essay).
Selections
from William Blake's Songs, an album
by Gregory Forbes, and Companion to the New Musical Settings. Blake/An
Illustrated Quarterly 19 (Fall,
1985): 84-89 (with M. LaFrance).
Blake's
Designs for Young's Night Thoughts. Ed. Erdman et al. Philological
Quarterly (Fall, 1982): 539-4 (with D. Welch).
Blake's
Designs for Young's Night Thoughts. Ed. Erdman et al. Fine Print (Spring, 1982): 49-50.
WORKS EDITED:
Wordsworth's
Romantic Landscape: Nature and
Books [exhibition catalogue by Mark
L. Reed of Wordsworth's canon as published in his lifetime], University of
North Carolina, Wilson Library, November, 1988.
Assisted in
editing the Blake section of The Norton Anthology of English Literature, fifth, sixth, and seventh editions. Ed. M. H. Abrams, et al. New York: W. W. Norton & Company, Inc.
1986-2003.
Process
& Problems in Contemporary Printmaking [exhibition catalogue of prints by John Brody], Herbert F. Johnson
Museum of Art Publications, 1984.
OTHER:
Reader
for PMLA, Blake/An Illustrated Quarterly, Studies in Philology, Eighteenth Century Studies, The Art Bulletin, European Romantic Review, Literature Compass, Princeton University Press, University
of Toronto Press, Wayne State University Press, and The William Blake Trust,
1984-05.
Advisory Board (current): Blake/An
Illustrated Quarterly
Romantic Circles <http://www.rc.umd.edu/indexjava.html>,
Romantic Circles Virtual Art Gallery
William Blake Trust
Consultant: Swann's of New York, to
authenticate Blake material,
August 2004
Consultant:
Christie's of London, to authenticate 3 Blake prints, August 2001.
Consultant:
Christie's of New York, to authenticate Blake print, July 1999.
Consultant:
Houghton Library, Harvard University, to authenticate Blake drawing, September
1997.
Consultant:
Pierpont Morgan Library, bibliographical description of illuminated book for
Exhibition Catalogue of Works from the Wormsley Library, May 1997.
Consultant: William Blake Trust, on the production,
dating, and histories of the six illuminated books in volumes 4 and 6 of William
Blake's Illuminated Books,
published by The William Blake Trust and Tate Gallery Publications (1995).
Consultant:
Christie's of London, on the sale of the Frank Rinder Blake Collection, 30
November 1993, identifying one of the illuminated books as a forgery.
Consultant:
Sotheby's of New York City, on the sale of Blake prints, May 1993.
Consultant:
Tokyo Museum of Art, Japan, exhibition of Blake's illuminated books and prints,
(Spring 1990).
Consultant:
Christie's of New York City, on The Estelle Doheny Blake Collection, February
1989.
IN PROGRESS:
The Caves
of Heaven and Hell (second volume of Blake and the Idea
of the Book) discusses the origin of
illuminated printing and the various ways in which the technique and the idea
of creating figure into his poetry, designs, and theories of art. It also reveals for the first time how
many of the poems and books evolved through production. (The articles on the
evolution of Blake's Marriage of Heaven and Hell and reconstruction of Song of Los are part of this book.)
Romanticism
and the Anti-Picturesque
examines the discourse among painters, printmakers, and poets regarding the
idea of the sketch, touring, and nature, focusing on the works by Burke,
Gilpin, Blake, Coleridge, Wordsworth, and Turner. (The forthcoming article on
John Aikin and Wordsworth is part of this book.)
EXHIBITIONS:
Representation: La Condition
Magritte. Painting in oil and oil stick on paper, 90 x
42 inches. Institute for the Arts and Humanities, UNC-Chapel Hill, 2003. http://sites.unc.edu/viscomi/Representation.htm.
Wordsworth's
Romantic Landscape: Nature and Books,
exhibition of Wordsworth's canon as published in his lifetime. Co-organized
with Mark L. Reed, Department of Rare Books, Wilson Library, University of
North Carolina, November, l988
The Art
of Illuminated Printing: exhibition
of photographs and facsimiles documenting Blake's printing methods and
variations. Art History Gallery,
Cornell University, April 1-14, 1983
William
Blake, Illustrator and Poet: Blake's
original and reproductive engravings and literary illustrations. Department of Rare Books and Olin
Library, Cornell University, April 1 - May 15, 1983
The
Prints of Blake and his Followers:
Blake's late prints and the Blake-influenced prints of Richmond, Sherman,
Calvert, and Palmer. Herbert F.
Johnson Museum of Art, Cornell University, March 15 - April 17, 1983
Making
Blake's Illuminated Book: slide
exhibition on illuminated printing and its variations, as recreated
step-by-step in my studio.
Produced for a 1979 NEH Summer Seminar at Columbia University, it
introduces students to 18th-century book production and graphic arts and
explains Blake's innovations technically and historically.
Drama in
a Romantic Child's Eye: travelling
exhibition of 19th-c. English Toy Theater prints and stages, documenting stage
designs and scenery, actors, costumes, and acting styles. Accompanied by a 28-page brochure and
100-page catalogue. Sponsored by NEH and hosted in l976-77 by:
Neuberger Museum of
Art [State University of New York at Purchase]
Princeton University
University of
Pennsylvania
Columbia University
National Endowment of
Humanities, Washington, D.C.
The Museum of the
City of New York
Trick
Toys: pre-cinematic popular culture
as expressed in 200 years of projectory, persistence of vision, and narrative
instruments and toys; co-curated for Museum of the City of New York, its major
exhibition for 1976.
PERFORMANCES:
An Island
in the Moon, stage adaptation of
Blake's prose satire, performed at
Goldwin Smith
Theater, Cornell University, 4/7-8/1983.
Drummond Studio,
Cornell University, 5/11-12/1983.
An Island in the Moon, video of Cornell theatrical production for Ithaca Public Television, channel 13, 12/2/1983 and other airings and classroom showings.
An Island in the Moon, Web-video of theatrical production, with introduction and illustrated text; music by Margaret LaFrance < http://www.ibiblio.org/jsviscom/island/ >(2003)
Tiny
Kingdoms, cabaret verse-drama, with David Patrick Kelly, performed at
the Other End Cafe, Greenwich Village, NYC, 11/23-30/1976.
LECTURES:
"Blake's Enlightened Graphics: Illuminated Books and
New Technologies," Center for Applied Technologies in the Humanities
(CATH),Virginia Technical Institute and State University, 4/16/04
"Digital Representation, Editorial
Fidelity, and the William Blake Archive." Symposium in English Studies,
University of Texas at Arlington, 10/16-17/03
"Digital Representation, Editorial
Fidelity, and the William Blake Archive." North American Society for the Study
of Romanticism, NYC, 8/1-5/03
"Blake's
Enlightened Graphics: Illuminated Books and New Technologies," University
of Arkansas, Little Rock, William G. Cooper, Jr. Lecture in the Humanities,
9/11/02
Seminar on Blake and Wordsworth, University of
Arkansas, Little Rock, 9/12/02
"Representing Artifacts in the Blake Archive."
Digital Epigraphy Conference, University of North Carolina at Chapel Hill,
4/29-30/02
"Blake's
Enlightened Graphics: Illuminated Books and New Technologies," University
of Maryland, College Park, MD, 2/22/02
Portions of
the Eternal World: Prints by William Blake, Art Museum, University of Virginia,
Panel Discussion with Jerome McGann and Joanna Drucker, 2/21/02.
"Blake's Enlightened
Graphics: Illuminated Books and New Technologies," University of North
Carolina at Greensboro, N.C., 10/16/01
"Blake in the 21st Century: The William
Blake Archive," Metropolitan Museum, NYC, 5/11/01
"William Blake's Graphic Imagination: The Origins of
Illuminated Printing." The Rare Book School, University of Virginia,
Charlottesville, 2/21/01
Seminar: Blake's The Marriage of Heaven and Hell. Department of
English, University of Virginia, Charlottesville, 2/22/01
"Blake
After Blake: A Nation Discovers Genius," Blake, Nation, and Empire
symposium, Tate Britain, London, 12/9/00
"William
Blake: Romantic Poet and Artist," Romanticism, Adventures in Ideas Weekend,
University of North Carolina at Chapel Hill, 11/10-11/00
Plenary
Address: "Blake's Enlightened Graphics: Illuminated Books and New
Technologies," Friendly Enemies: Blake and the Enlightenment conference,
University of Essex, Colchester, England, 8/24-26/00
Plenary
Address: "The William Blake Archive and the Study of Illuminated Books," Material
Cultures: The Book, The Text, and The Archive conference, sponsored by Centre
for the History of the Book, University of Edinburgh, Scotland, 7/29-30/00
"The Marriage of Heaven and Hell: Exploring William Blake's Visionary
Satire," Visions and Mystics, Adventures in Ideas Weekend, University of North
Carolina at Chapel Hill, 11/19-20/99
"Accuracy
in Digital Imaging," School of Information and Library Science, University of
North Carolina at Chapel Hill, 10/20/99
Plenary
Address: "Digital Facsimiles: Reading the Blake Archive," North American
Society for the Study of Romanticism, Dalhousie University, Halifax, Nova
Scotia, 8/12-15/99
"Editorial
Principles in the Blake Archive," with Morris Eaves and Robert Essick, 10th
International Congress on the Enlightenment, Dublin, Ireland, 7/25-31/99
"Digital
Representation," Association for Computers and the Humanities/Association for
Literary and Linguistic Computing, joint international conference, University
of Virginia, Charlottesville, Va.,
6/9-13/99
"Constructing
the William Blake Archive: a Progress Report and Demonstration," Modern
Language Association, San Francisco, 12/27-30/98
Seminar:
Textual Editing and the William Blake Archive, University of Windsor, 10/14/98
"Blake's
Graphic Imagination," University of Windsor, Canada 10/14/98
Seminar:
Textual Editing and the William Blake Archive, St. John's College, Oxford,
5/8/98
"Blake's
Graphic Imagination," Third Annual D. F. McKenzie Lecture on the History of the
Book, St. John's College, Oxford, 5/7/98
"Blake's
Graphic Imagination," Virginia Museum of Fine Arts, 11/1/97
"Blake
and Hypertext," Yale Center for British Art, Yale University, 4/24/97
"Hypertext
Editing: Blake on the Web," Society for Textual Scholarship Conference,
CUNY Graduate Center, NYC, 4/10-12/97
"The
William Blake Archive Project," Modern Language Association, Washington,
D.C. 12/29/96
"Hypertext
Editing: Blake on the Web," North American Society for the Study of
Romanticism Conference, Boston College, 11/14-16/96
"Hypertext
Editing: Blake on the Web," Digital Resources in the Humanities
Conference, Somerville College, Oxford, 7/1-3/96
"The
Electronic Blake: A Progress Report," seminar, Institute for Advanced
Technology in the Humanities, University of Virginia, November 8, 1995
"The
Electronic Blake: A Progress Report," with Morris Eaves, Documentary
Editing Conference, Baltimore, Maryland, October 26-28, 1995
"The
Technical and Aesthetic Origin of William Blake's Illuminated Books," for
NEH Summer Seminar for College Teachers, University of Georgia, Athens, June
29, 1995.
"Blake,
Printmaking, and the Aesthetics of the Sketch," University of Rochester,
February 21, 1995
The Technical and Aesthetic Origin of William Blake's
Illuminated Books," Tate Gallery, London, 7/12/1994
Blake Seminar, California Institute of Technology,
10/27/1994
"Blake, Printmaking, and the Aesthetics of the
Sketch," The Political and Aesthetic Education of Romanticism,"
Conference, Duke University, November 10-13, 1994
"In
the Caves of Heaven and Hell," Blake Conference, The Huntington Library
and Art Gallery, October 29 1994
Plenary
Address: "The Evolution of
Blake's The Marriage of Heaven and Hell," William Blake 1794/1994 Conference, St. Mary's
College, Strawberry Hill, London, 7/13-15/1994
"Frankenstein,
or the Modern Prometheus," St. Andrews College, Laurinburg, NC, 4/15/94
"The
Technical and Aesthetic Origin of William Blake's Illuminated Books"
Blake Society of
London, 11/24/1993
Double Crown Club,
London, 11/25/1993
Emmanuel College,
Cambridge, 11/29 1993
Faculty
Seminars: St. Andrews College, Laurinburg, N.C.
William Wordsworth,
5/20/93
William Blake,
5/21/93
Mary Shelley, 5/24/93
"The
Production and Editing of William Blake's There is No Natural Religion," Sixth International Conference of
the Society for Textual Scholarship, City University of N.Y. Grad. Center,
11-13 April 1991
Panelist:
"Does Art Work in Museums," Conference, Ackland Museum, UNC 12/1-2/90
"The
Technical and Aesthetic Origin of William Blake's Illuminated Books," for
NEH Summer Institute, The American University, Washington, D. C., 7/3/90
"From
Original to Copy and Back: Facsimile Technology in the Eighteenth Century," UNC
Wilson Library, 4/17/90
"Wordsworth,
Gilpin, and the Vacant Mind," Conference on Revolutionary Romanticism:
1790-1990, Bucknell University, 4/5-8/90
Chair: Works in Progress Session, Midwestern
American Society for Eighteenth-Century Studies, Ohio State University,
11/3-4/1989
"George
Romney, William Blake, and the Idea of Commission," Midwestern American
Society for Eighteenth-Century Studies, Ohio State University, 11/3-5/1989
"The
Technical and Aesthetic Origin of William Blake's Illuminated Books," Troy
State University, Alabama, 2/16/1989
"The
Printing House in Hell," Institute for Arts and Humanities, UNC,
11/22/1988
"Fighting
Second-class Citizenship: Technical and Rhetorical Strategies of l8th-century
Printmakers," Institute for Arts and Humanities, UNC, 6/22/1988
"Imitation,
Originality, and Execution in l8th-century Graphic Arts," Midwestern
American Society for Eighteenth-Century Studies, University of Notre Dame,
10/6-9/1988
"From
Durer to Blake: A Technical History of the Graphic Arts," Art History
Seminar, Duke University, 2/18/1986
"Gainsborough,
Blake, & Avant-Garde Printmaking," South Central Society for
Eighteenth-Century Studies, Louisiana State University, 3/15/1985
"Blake
and the Idea of the Book," UNC, Dept. of English, 1/18/1984
"The
Caves of Heaven and Hell," Blake Symposium, Cornell University, 4/8-9/1983
"Technique
and Translation in 18th-century Book Illustrations," Olin Library, Cornell
University, 2/8/1983
"Printmaker
and Poet: Introduction to William Blake," Ithaca College, Ithaca, N.Y.,
10/19/1982
"Ancients
and Moderns in 18th-century Graphic Arts," Herbert F. Johnson Museum of
Art, Cornell University, 2/4/1982
"Technical
and Biblical Allusions in Blake's The Marriage of Heaven and Hell," Book Arts Press Lecture Series,
Columbia University, 5/15/1981
"Blake's
Illuminated Book as Symbol, Vehicle, and Object," University of Toronto,
3/17/1981
"Blake's
Book of Job," Virginia Polytechnic Institute and
State University Learning Center, Critz, Virginia, 1/13/1981
"Blake
as Visionary Artist," Visionary Literature Conference, Long Island
University, 1/8-10/1981
"The
Art and Craft of Illuminated Printing," lecture-demonstration presented
at:
Blake Symposium,
Skidmore College, 5/9-10/1980
University of
Toronto, 3/18/1981
University of New
Mexico, 4/27/1981
Cornell University,
2/17/1982
Columbia University,
3/23/1982
[illustrated transcript printed in limited edition, Cornell University, 1982]