Why Visual Objects of Great Dimensions are SublimeVISION is performed by having a picture, formed by the rays
of light which are reflected from the object, painted in one piece,
instantaneously, on the retina, or last nervous part of the eye. Or,
according to others,
there is but one point of any object painted on the eye in such a
manner as to be perceived at once; but by moving the eye, we gather
up, with
great celerity, the several parts of the object, so as to form one
uniform piece. If the former opinion be allowed, it will be considered,
[1] that though all the light reflected from a large body should
strike the eye in one instant; yet we must suppose that the body itself
is formed of a vast number of distinct points, every one of which,
or
the ray from every one, makes an impression on the retina. So that,
though the image of one point should cause but a small tension of
this membrane, another and another, and another stroke, must in their
progress
cause a very great one, until it arrives at last to the highest degree;
and the whole capacity of the eye, vibrating in all its parts, must
approach near to the nature of what causes pain, and consequently
must produce an idea of the sublime. Again, if we take it, that one
point
only of an object is distinguishable at once, the matter will amount
nearly to the same thing, or rather it will make the origin of the
sublime from greatness of dimension yet clearer. For if but one point
is observed at once, the eye must traverse the vast space of such
bodies with great quickness, and consequently the fine nerves and muscles
destined to the motion of that part must be very much strained; and
their great sensibility must make them highly affected by this straining.
Besides, it signifies just nothing to the effect produced, whether
a body has its parts connected and makes its impression at once;
or, making but one impression of a point at a time, causes a succession
of the same or others so quickly as to make them seem united; as
is
evident from the common effect of whirling about a lighted torch
or piece of wood: which, if done with celerity, seems a circle of
fire.
1 |
| <BACK |