How the Sublime is ProducedHAVING considered terror as producing an unnatural tension and certain
violent emotions of the nerves; it easily follows, from what we have
just said, that whatever is fitted to produce such a tension must be
productive of a passion similar to terror, [1] and consequently must
be a source of the sublime, though it should have no idea of danger
connected
with it. So that little remains towards showing the cause of the sublime,
but to show that the instances we have given of it in the second part
relate to such things as are fitted by nature to produce this sort
of tension, either by the primary operation of the mind or the body.
With
regard to such things as effect by the associated idea of danger, there
can be no doubt but that they produce terror, and act by some modification
of that passion; and that terror, when sufficiently violent, raises
the emotions of the body just mentioned, can as little be doubted.
But if
the sublime is built on terror, or some passion like it, which has
pain for its object, it is previously proper to inquire how any species
of
delight can be derived from a cause so apparently contrary to it. I
say
delight, because, as I have often remarked, it is very evidently
different in its cause, and in its own nature, from actual and positive
pleasure. |
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